Kuch Khatta Ho Jaay Review: Guru Randhawa and Saiee M Manjrekar add mithas with their chemistry in Kuch Khatta Ho Jaay, Anupam Kher steals the spotlight.
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Rating: 3.5/5
"Kuch Khatta Ho Jaye" is a delightful blend of drama, comedy, and romance, tackling parental and societal pressures skillfully. "Kuch Khatta Ho Jaye" delivers a refreshing take on the pressure imposed by families on their children's life choices. Heer and Ira, played by Guru Randhawa and Saiee M Manjrekar, find themselves entangled in familial expectations, setting the stage for a compelling drama. Heer, forced to have kids by his father, and Ira, who aspires to be an IAS officer but is pressured into marriage by her mother so that her younger sister could be married, navigate their forced predicaments in a pact that unfolds into an engaging storyline.
The on-screen chemistry between Guru Randhawa and Saiee M Manjrekar is palpable, marking a fantastic Bollywood debut for Guru. Saiee shines as Ira, portraying beauty and depth in her character. Anupam Kher steals the spotlight as Bauji, showcasing remarkable acting prowess. The comedic touch brought by Brahmananda adds an extra layer of enjoyment, complemented by the stellar performances from the supporting cast - Ila Arun, Paritosh Tripathi, Atul Shrivastav, and Paresh Ganatra.
'Bhagamathi' director G Ashok is commendable and skillfully weaves the narrative around the challenges faced by Heer and Ira. The storytelling distinction expose the repercussions of parental pressure on the youth, making the younger audience emotionally invested. The cinematography captures the essence of the storyline, enhancing the overall visual experience.
There are seven tracks in the film, with "Iss baar Jo Chale Gaye" as the standout romantic track, that is playing on repeat in every music lover's playlist. The scriptwriting is sharp, ensuring a seamless flow of events, while the music complements the narrative beautifully. The technical brilliance, including cinematography and music, elevates the film's overall appeal.
